Музыкальный инстинкт. Почему мы любим музыку - читать онлайн книгу. Автор: Филип Болл cтр.№ 133

Steedman, M. J. ‘The perception of musical rhythm and metre’, Perception 6, 555—69 (1977).

Stewart, L., von Kriegstein, K., Warren, J. D. and Griffiths, T. D. ‘Music and the brain: disorders of musical listening’, Brain 129, 2533—53 (2006).

Storr, A. Music and the Mind. Collins, London, 1992.

Stravinsky, I. Poetics of Music in the Form of Six Lessons, transl. A. Knodel and I. Dahl. Harvard University Press, Cambridge, Ma., 1947.

Strong, G. (ed.) Fundamentals of Music Composition. St Martin’s Press, London, 1967.

Stubbs, D. Fear of Music. Zero Books, Ropley Hants., 2009.

Sundberg, J. (ed.) Gluing Tones: Grouping in Music Composition, Performance and Listening. Royal Swedish Academy of Music, Taberg, 1992.

Sundberg, J. and Lindblom, B. ‘Generative theories in language and music descriptions’, Cognition 4, 99—122 (1976).

Tagg, P. ‘Analysing popular music: theory, method and practice’, Popular Music 2, 37—65 (1982).

Temperley, D. ‘Syncopation in rock: a perceptual perspective’, Popular Music 18, 19—40 (1999).

Temperley, D. The Cognition of Basic Musical Structures. MIT Press, Cambridge, Ma., 2001.

Thompson, W. ‘From sounds to music: the contextualizations of pitch’, Music Perception 21, 431—56 (2004).

Tillmann, B., Janata, P. and Bharucha, J. J. ‘Activation of the inferior frontal cortex in musical priming’, Cognitive Brain Research 16, 145—61 (2003).

Tillmann, B. and Bigand, E. ‘Does formal musical structure affect perception of musical expressiveness?’, Psychology of Music 24, 3—17 (1996).

Timmers, R. and Ashley, R. ‘Emotional ornamentation in performances of a Handel sonata’, Music Perception 25, 117—34 (2007).

Trainor, L. J. ‘The neural roots of music’, Nature 453, 598—99 (2008).

Trainor, L. J. and Heinmiller, B. M. ‘The development of evaluative responses to music: infants prefer to listen to consonance over dissonance’, Infant Behavior and Development 21, 77—88 (1998).

Trainor, L. J. and Trehub, S. E. ‘A comparison of infants’ and adults’ sensitivity to Western musical structure’, Journal of Experimental Psychology: Human Perception and Performance 18, 394—402 (1992).

Trainor, L. J. and Trehub, S. E. ‘Musical context effects in infants and adults: key distance’, Journal of Experimental Psychology: Human Perception and Performance 19, 615—26 (1993).

Trainor, L. J. and Trehub, S. E. ‘Key membership and implied harmony in Western tonal music: developmental perspectives’, Perception and Psychophysics 56, 125—32 (1994).

Trainor, L. J., Tsang, C. D. and Cheung, V. H. W. ‘Preference for consonance in 2-month-old infants’, Music Perception 20, 185—192 (2002).

Trehub, S. E., Thorpe, L. A. and Trainor, L. J. ‘Infants’ perception of good and bad melodies’, Psychomusicology 9, 5—19 (1990).

Trehub, S. E., Schellenberg, E. G. and Kamenetsky, S. B. ‘Infants’ and adults’ perception of scale structure’, Journal of Experimental Psychology: Human Perception and Performance 25, 965—75 (1999).

Trehub, S. E. ‘The developmental origins of musicality’, Nature Neuroscience 6, 669 (2003).

Van den Toorn, P. C. The Music of Igor Stravinsky. Yale University Press, New Haven, 1983.

Wallin, N. L., Merker, B. and Brown, S. (eds). The Origins of Music.

MIT Press, Cambridge, Ma., 2000.

Walser, R. Running with the Devil: Power, Gender and Madness in Heavy Metal Music. Wesleyan University Press, Hanover, NH, 1993.

Warren, J., ‘How does the brain process music?’, Clinical Medicine 8, 32—6 (2008).

Waterman, M. ‘Emotional responses to music: implicit and explicit effects in listeners and performers’, Psychology of Music 24, 53—67 (1996).

Weber, M. The Rational and Social Foundations of Music, transl. D. Martindale, G. Neuwirth and J. Riedel. Southern Illinois University Press, Carbondale, Ill., 1958.

White, B. ‘Recognition of distorted melodies’, American Journal of Psychology 73, 100—7 (1960).

Winkler, I., Haden, G., Ladinig, O., Sziller, I. and Honing, H. ‘Newborn infants detect the beat in music’, Proceedings of the National Academy of Sciences USA 106, 2468—71 (2009).

Zajonc, R. B. ‘On the primacy of affect’, American Psychologist 39, 117—23 (1984).

Zatorre, R. J. and Peretz, I. (eds), ‘The Biological Foundations of Music’, Annals of the New York Academy of Sciences 930 (2001).

Zatorre, R. J., Chen, J. L. and Penhune, V. B. ‘When the brain plays music: auditory-motor interactions in music perception and production’, Nature Reviews Neuroscience 8, 547—58 (2007).

Zbikowski, L. M. Conceptualizing Music: Cognitive Structure, Theory and Analysis. Oxford University Press, Oxford, 2002.

Zentner, M. and Kagan, J. ‘Perception of music by infants’, Nature 383, 29 (1996)

⁂