Число Бога. Золотое сечение – формула мироздания - читать онлайн книгу. Автор: Марио Ливио cтр.№ 76

Altschuler, E. L. Bachanalia. Boston: Little, Brown and Company, 1994.

d’Arcais, F. F. Giotto. New York: Abbeville Press Publishers, 1995.

Bellosi, L. Cimabue. New York: Abbeville Press Publishers, 1998.

Bergamini, D. Mathematics. New York: Time Incorporated, 1963.

Bois, Y.-A., Joosten, J., Rudenstine, A. Z., and Janssen, H. Piet Mondrian. Boston: Little, Brown and Company, 1995.

Boring, E. G. A History of Experimental Psychology. New York: Appleton-Century-Crofts, 1957.

Bouleau, C. The Painter’s Secret Geometry. New York: Harcourt, Brace & World, 1963.

Curchin, L., and Fischler, R. “Hero of Alexandria’s Numerical Treatment of Division in Extreme and Mean Ratio and Its Implications”, Phoenix, 35 (1981): 129–133.

Curtis, W. J. R. Le Corbusier: Ideas and Forms. Oxford: Phaidon, 1986.

Duckworth, G. E. Structural Patterns and Proportions in Vergil’s Aeneid. Ann Arbor: University of Michigan Press, 1962.

Emmer, M. The Visual Mind. Cambridge, MA: MIT Press, 1993.

Fancher, R. E. Pioneers of Psychology. New York: W. W. Norton & Company, 1990.

Fechner, G. T. Vorschule der Aesthetik. Leipzig: Breitkopf & Härtel, 1876.

Fischler, R. “How to Find the ‘Golden Number’ Without Really Trying”, Fibonacci Quarterly, 19 (1981): 406–410.

Fischler, R. “On the Application of the Golden Ratio in the Visual Arts”, Leonardo, 14 (1981): 31–32.

Fischler, R. “The Early Relationship of Le Corbusier to the Golden Number”, Environment and Planning B, 6 (1979): 95–103.

Godkewitsch, M. “The Golden Section: An Artifact of Stimulus Range and Measure of Preference”, American Journal of Psychology, 87 (1974): 269–277.

Hambidge, J. The Elements of Dynamic Symmetry. New York: Dover Publications, 1967.

Herz-Fischler, R. “An Examination of Claims Concerning Seurat and the Golden Number”, Gazette des Beaux-Arts, 125 (1983): 109–112.

Herz-Fischler, R. “Le Corbusier’s ‘regulating lines’ for the villa at Garches (1927) and other early works”, Journal of the Society of Architectural Historians, 43 (1984): 53–59.

Herz-Fischler, R. “Le Nombre d’or en France de 1896 а 1927”, Revue de l’Art, 118 (1997): 9–16.

Hockney, D. Secret Knowledge. New York: Viking Studio, 2001.

Howat, R. Debussy in Proportion. Cambridge: Cambridge University Press, 1983.

Kepes, G. Module, Proportion, Symmetry, Rhythm. New York: George Braziller, 1966.

Larson, P. “The Golden Section in the Earliest Notated Western Music”, Fibonacci Quarterly, 16 (1978): 513–515.

Le Courbusier. Modulor I and II. Cambridge, MA: Harvard University Press, 1980.

Lendvai, E. Béla Bartók: An Analysis of His Music. London: Kahn & Averill, 1971.

Lowman, E. A. “Some Striking Proportions in the Music of Bela Bartók”, Fibonacci Quarterly, 9 (1971): 527–537.

Marevna. Life with the Painters of La Ruche. New York: Macmillan Publishing Co., 1974.

McManus, I. C. “The Aesthetics of Simple Figures”, British Journal of Psychology, 71 (1980): 505–524.

Nims, J. F. Western Wind. New York: McGraw-Hill, 1992.

Nuland, S. B. Leonardo da Vinci. New York: Viking, 2000.

Osborne, H. ed. The Oxford Companion to Art. Oxford: Oxford University Press, 1970.

Putz, J. F. “The Golden Section and the Piano Sonatas of Mozart”, Mathematics Magazine, 68 (1995): 275–282.

Sadie, S. The New Grove Dictionary of Music and Musicians. New York: Grove, 2001.

Schiffman, H. R., and Bobka, D. J. “Preference in Linear Partitioning: The Golden Section Reexamined”, Perception & Psychophysics, 24 (1978): 102–103.

Schillinger, F. Joseph Schillinger. New York: Da Capo Press, 1976.

Schillinger, J. The Mathematical Basis of the Arts. New York: Philosophical Library, 1948.

Schwarz, L. “The Art Historian’s Computer”, Scientific American (April 1995): 106–111.

Somfai, L. Béla Bartók: Compositions, Concepts, and Autograph Sources. Berkeley: University of California Press, 1996.

Svensson, L. T. “Note on the Golden Section”, Scandinavian Journal of Psychology, 18 (1977): 79–80.

Tatlow, R., and Griffiths, P. “Numbers and Music”, in The New Grove Dictionary of Music and Musicians, 18 (2001): 231–236.

Watson, R. I. The Great Psychologists. Philadelphia: J. B. Lippincott Company, 1978.

White, M. Leonardo the First Scientist. London: Little, Brown and Company, 2000.

Woodworth, R. S., and Schlosberg, H. Experimental Psychology. New York: Holt, Rinehart and Winston, 1965.

Zusne, L. Visual Perception of Form. New York: Academic Press, 1970.

8. Звездное небо над нами и плиточный пол у нас под ногами

Cohen, J., and Stewart, I. The Collapse of Chaos. Discovering Simplicity in a Complex World. New York: Penguin Books, 1995.

Fischer, R. Financial Applications and Strategies for Traders. New York: John Wiley & Sons, 1993.

Gardner, M. Penrose Tiles to Trapdoor Ciphers. New York: W. H. Freeman and Company, 1989.

Gleick, J. Chaos. New York: Penguin Books, 1987.

Lesmoir-Gordon, N., Rood, W., and Edney, R. Introducing Fractal Geometry. Cambridge: Icon Books, 2000.

Mandelbrot, B. B. Fractal Geometry of Nature. New York: W. H. Freeman and Company, 1988.

Mandelbrot, B. B. “A Multifractal Walk Down Wall Street”, Scientific American (February 1999): 70–73.

Matthews, R. “The Power of One”, New Scientist, July 10, 1999, 27–30.

Peitgen, H.-O., Jürgens, H., and Saupe, D. Chaos and Fractals. New York: Springer-Verlag, 1992.

Peterson, I. “Fibonacci at Random”, Science News, 155 (1999): 376–377.

Peterson, I. The Mathematical Tourist. New York: W. H. Freeman and Company, 1988.

Peterson, I. “A Quasicrystal Construction Kit”, Science News, 155 (1999): 60–61.

Prechter, R. R. Jr., and Frost, A. J. Elliot Wave Principle. Gainesville, GA: New Classics Library, 1978.

Schroeder, M. Fractals, Chaos, Power Laws. New York: W. H. Freeman and Company, 1991.