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1
Посвящается Дениз – как всегда (фр.).
2
Римская цифра обозначает номер цветной вкладки, арабская – номер иллюстрации. – Прим. ред.
3
Lillie, S., and G. Gaugusch Portrait of Adele Bloch-Bauer. New York: Neue Galerie, 1984. P. 13.
4
Gay, P. The Freud Reader. New York: W. W. Norton, 1989. P. 76.
5
Gombrich, E. H. Reflections on the History of Art. R. Woodfield, ed. Berkeley, CA: University of California Press, 1987. P. 211.
6
Robinson, P. Freud and His Critics. Berkeley: University of California Press, 1993. P. 271.
7
Nuland, S. B. The Doctors’ Plague: Germs, Childbed Fever, and the Strange Story of Ignac Semmelweis. New York: W. W. Norton, 2003. Pp. 64–65.
8
Ackerknecht, E. H. Medicine at the Paris Hospital 1794–1848. Baltimore: Johns Hopkins University Press, 1963. P. 123.
9
Rokitansky, O. Carl Freiherr von Rokitansky zum 200 Geburtstag: Eine Jubilaumgedenkschrift // Wiener Klinische Wochenschrift 116 (23) 2004: 772–778.
10
Nuland, S. B. The Doctors’ Plague: Germs, Childbed Fever, and the Strange Story of Ignac Semmelweis. New York: W. W. Norton, 2003. P. 64.
11
Lesky, E. The Vienna Medical School of the 19th Century. Baltimore: Johns Hopkins University Press, 1976. P. 120.
12
Ibid., p. 360.
13
Springer, K. Philosophy and Science / In: Vienna 1900: Art, Life and Culture. C. BrandstAtter, ed. New York: Vendome Press, 2005. P. 364.
14
Bilski, E. D., and E. Braun Jewish Women and Their Salons: The Power of Conversation. New Haven: The Jewish Museum and Yale University Press, 2005. P. 96.
15
Ibid., p. 87.
16
Kallir, J. Who Paid the Piper: The Art of Patronage in Fin-de-Siecle Vienna. New York: Galerie St. Etienne, 2007.
17
Braun, E. Ornament and Evolution: Gustav Klimt and Berta Zuckerkandl / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collections. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 162.
18
Ibid., p. 155.
19
Ibid., p. 153.
20
Ibid., p. 163.
21
Buklijas, Tatjana The Politics of Fin-de-Siecle Anatomy / In: The Nationalization of Scientific Knowledge in the Habsburg Empire. Ash, M. G., and J. Surman, eds. Basingstoke, U. K.: Palgrave MacMillan, 2012. P. 209.
22
Lesky, E. The Vienna Medical School of the 19th Century. Baltimore: Johns Hopkins University Press, 1976. P. 5.
23
Ibid., p. 335.
24
Gay, P. Schnitzler’s Century: The Making of Middle-Class Culture 1815–1914. New York: W. W. Norton, 2002. P. 67.
25
Wettley, A., and W. Leibbrand Von der Psychopathia Sexualis zur Sexualwissenschaft. Stuttgart: Ferdinand Enke Verlag, 1959.
26
Здесь и далее “Автобиография” З. Фрейда цитируется в пер. М. Харитонова. – Прим. пер.
27
Freud, S. An Autobiographical Study. The Standard Edition of the Complete Psychological Works of Sigmund Freud. New York: W. W. Norton, 1952. Pp. 14–15.
28
Wittels, F. Freud’s Scientific Cradle // American Journal of Psychiatry 100 (1944): 521–522.
29
Sulloway, F. J. Freud, Biologist of the Mind: Beyond the Psychoanalytic Legend. New York: Basic Books, 1979. P. 14.
30
Freud, S. The Question of Lay Analysis: Conversations with an Impartial Person. The Standard Edition of the Complete Psychological Works of Sigmund Freud. New York: W. W. Norton, 1950. P. 90.
31
Jones, E. The Life and Work of Sigmund Freud. Vol. III: The Last Phase: 1919–1939. New York: Basic Books, 1981. P. 223.
32
Freud, S. The Origins of Psychoanalysis: Letters to Wilhelm Fliess. M. Bonaparte, A. Freud, and E. Kris, eds., intro. by E. Kris. New York: Basic Books, 1954. P. 137.
33
Freud, S. An Autobiographical Study. The Standard Edition of the Complete Psychological Works of Sigmund Freud. New York: W. W. Norton, 1952. P. 19.
34
Gay, P. The Freud Reader. New York: W. W. Norton, 1989. Pp. 11–12.
35
Freud, S. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. III. Pp. 18–19.
36
Freud, S. An Autobiographical Study. The Standard Edition of the Complete Psychological Works of Sigmund Freud. New York: W. W. Norton, 1952. P. 30.
37
Ibid., p. 14.
38
Ibid., p. 41.
39
Freud, S. Heredity and the Aetiology of the Neuroses // Revue Neurologique 4 (1896): 148.
40
Freud, S., and J. Breuer Studies on Hysteria. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. II. London: Hogarth Press, 1955. P. 54.
41
Freud, S. On Aphasia: A Critical Study. Great Britain: Imago Publishing, 1953. P. 55.
42
Gay, P. The Freud Reader. New York: W. W. Norton, 1989. P. 21.
43
Brenner, C. An Elementary Textbook of Psychoanalysis. New York: International Universities Press, 1973. P. 11.
44
Freud, S. The Origins of Psychoanalysis: Letters to Wilhelm Fliess. M. Bonaparte, A. Freud, and E. Kris, eds., intro. by E. Kris. New York: Basic Books, 1954. P. 134.
45
Freud, S. On Narcissism. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XIV. London: Hogarth Press, 1957. P. 78.
46
Freud, S. Beyond the Pleasure Principle. Цит. по кн: Kandel, E. Psychiatry, Psychoanalysis, and the New Biology of Mind. Arlington, VA: American Psychiatric Publishing, 2005. P. 63.
47
Neisser, U. Cognitive Psychology. New York: Appleton-Century-Crofts, 1967. P. 4.
48
Gombrich, E., and D. Eribon Looking for Answers: Conversations on Art and Science. New York: Harry N. Abrams, 1993. P. 133.
49
Freud, S. The Interpretation of Dreams. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vols. IV, V. London: Hogarth Press, 1953. P. XXVI.
50
Freud, S. The Origins of Psychoanalysis: Letters to Wilhelm Fliess. M. Bonaparte, A. Freud, and E. Kris, eds., intro. by E. Kris. New York: Basic Books, 1954. P. 351.
51
Ibid., p. 213.
52
Freud, S. The Interpretation of Dreams. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vols. IV, V. London: Hogarth Press, 1953. P. 6.
53
Ibid.
54
Gay, P. The Freud Reader. New York: W. W. Norton, 1989. P. 131.
55
Ibid., p. 139.
56
Brenner, C. An Elementary Textbook of Psychoanalysis. New York: International Universities Press, 1973. P. 163.
57
Freud, S. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. IV. London: Hogarth Press, 1953. P. 121.
58
Freud, S. The Origins of Psychoanalysis: Letters to Wilhelm Fliess. M. Bonaparte, A. Freud, and E. Kris, eds., intro. by E. Kris. New York: Basic Books, 1954. P. 323.
59
Freud, S. The Interpretation of Dreams. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vols. IV, V. London: Hogarth Press, 1953. P. 2.
60
Brenner, C. An Elementary Textbook of Psychoanalysis. New York: International Universities Press, 1973. P. 2.
61
Kris, A. O. Free Association: Method and Process. New Haven: Yale University Press, 1982.
62
Freud, S., and J. Breuer Studies on Hysteria. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. II. London: Hogarth Press, 1955. Pp. 160–161.
63
Gay, P. The Freud Reader. New York: W. W. Norton, 1989. P. 287.
64
Freud, S. An Outline of Psycho-Analysis. New York: W. W. Norton, 1949. P. 70.
65
Schafer, R. Problems in Freud’s Psychology of Women // Journal of the American Psychoanalytic Association 22 (1974): 483–484.
66
Пер. А. Кулишер. – Прим. пер.
67
Schnitzler, A. Lieutenant Gustl / In: Bachelors: Novellas and Stories. Chicago: Ivan Dee, 2006. P. 134.
68
Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 11.
69
Jones, E. The Life and Work of Sigmund Freud. Vol. III: The Last Phase: 1919–1939. New York: Basic Books, 1957. Appendix A, pp. 443–444.
70
Barney, E. Egon Schiele’s Adolescent Nudes within the Context of Fin-de-Siecle Vienna. 2008. См.: www.emilybarney.com/essays.html.
71
Freud, S. Fragment of an Analysis of a Case of Hysteria / In: Collected Papers, Vol. III. E. Jones, ed. London: Hogarth Press, 1905.
72
Здесь и далее пер. И. Мандельштама. – Прим. пер.
73
Schnitzler, A. Desire and Delusion: Three Novellas. M. Schaefer, translator & editor. Chicago: Ivan Dee, 2003. P. 224.
74
Ibid., p. 225.
75
Yates, W. E. Schnitzler, Hofmannsthal, and the Austrian Theater. New Haven: Yale University Press, 1992. Pp. 125–126.
76
Gay, P. Freud: A Life for Our Time. New York: W. W. Norton, 1998. P. 249.
77
Ibid., p. 250.
78
Kokoschka, O. My Life. New York: Macmillan, 1971. P. 66.
79
Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994. P. 14.
80
Westheimer, R. The Art of Arousal. New York: Artabras, 1993. P. 147.
81
Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 135.
82
Braun, E. Carnal Knowledge / In: Modigliani and His Models. London: Royal Academy of Arts, 2006. P. 45.
83
Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 236.
84
Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1.
85
Rodin, A. Art. Boston: Small, Maynard, 1912. P. 46.
86
Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 215.
87
Ibid., p. 84.
88
Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986. P. 14.
89
Greenberg, C. Modernist Painting. Washington, DC: Forum Lectures, 1960. Pp. 1–2.
90
Comini, A. Gustav Klimt. New York: George Braziller, 1975. P. 25.
91
Lillie, S., and G. Gaugusch Portrait of Adele Bloch-Bauer. New York: Neue Galerie, 1984. P. 59.
92
Whitford, F. Gustav Klimt (World of Art). London: Thames and Hudson, 1990. P. 18.
93
Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 101.
94
Kokoschka, O. My Life. New York: Macmillan, 1971. P. 33.
95
Ibid., p. 66.
96
Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. P. 25.
97
Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. Pp. 37–38.
98
Ibid., p. 102.
99
Ibid., p. 38.
100
Kokoschka, O. The Dreaming Youths / In: Schorske, C. E. Finde-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. Pp. 332–333.
101
Zuckerkandl, B. Neues Wiener Journal, April 10, 1927.
102
Shearman, J. Mannerism (Style and Civilization). New York: Penguin Books, 1991. P. 81.
103
Kokoschka, O. My Life. New York: Macmillan, 1971. Pp. 75–76.
104
Ibid., p. 76.
105
Пер. П. Мелковой. – Прим. пер.
106
Van Gogh, V. The Letters. M. Roskill, ed. London: Atheneum, 1963. Pp. 277–278.
107
Здесь и далее цитаты из книги Э. Гомбриха “История искусства” в пер. В. Крючковой. – Прим. пер.
108
Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. Pp. 429–430.
109
Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // The New York Observer, April 7, 2002.
110
Ibid.
111
Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 34.
112
Kokoschka, O. My Life. New York: Macmillan, 1971. Pp. 33–34.
113
Ibid., p. 31.
114
Ibid., p. 60.
115
Ibid., p. 37.
116
Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // The New York Observer, April 7, 2002.
117
Berland, R. The early portraits of Oskar Kokoschka: A narrative of inner life // Image [&] Narrative [e-journal], 2007. См.: http://www.imageandnarrative.be/inarchive/thinking_pictures/berlandhtm.
118
Пер. В. Крючковой. – Прим. пер.
119
Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. P. 431.
120
Freud, L. Exhibition. L’Atelier, Centre Pompidou, Paris. April 2010.
121
Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998. P. 44.
122
Comini, A. Egon Schiele’s Portraits. Berkeley, CA: University of California Press, 1974. P. 32.
123
Danto, A. C. Live flesh // The Nation, January 23, 2006.
124
Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998. Pp. 65–68.
125
Comini, A. Egon Schiele’s Portraits. Berkeley, CA: University of California Press, 1974. Pp. 50–51.
126
Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. Pp. 234–235.
127
Persinger, C. Reconsidering Meyer Schapiro in the New Vienna School // Journal of Art Historiography 3 (2010): 1.
128
Arnheim, R. Art History and the Partial God // Art Bulletin 44 (1962): 75.
129
Empson, W. Seven Types of Ambiguity. New York: Harcourt, Brace, 1930. P. x.
130
Kuspit, D. A Little Madness Goes a Long Creative Way // Artnet, October 7, 2010. См.: http://www.artnet.com/magazineus/features/kuspit/franz-xaver-messerschmidt10-7-10.asp.
131
Gombrich, E. H. The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. 11.
132
Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. ix. Princeton and Oxford: Princeton University Press, 1960
133
Kris, E., and E. Gombrich Caricature. Неопубликованная рукописть из архива Э. Гомбриха (Archive of E. H. Gombrich Estate, Warburg Institute, London). Цит. по: Rose, L. Psychology, Art, and Antifascism: Ernst Kris, E. H. Gombrich, and the Politics of Caricature. Неопубликованная рукопись, 2011.
134
King, D. B., and M. Wertheimer Max Wertheimer and Gestalt Theory. New Brunswick, NJ, and London: Transaction Publishers, 2004. P. 378.
135
Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. P. 15.
136
Henle, M. 1879 and All That: Essays in the Theory and History of Psychology. New York: Columbia University Press, 1986. P. 24.
137
Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. P. 40.
138
Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. 5.
139
Ibid., p. 24.
140
Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986.
141
Novotny, F. Cezanne and the End of Scientific Perspective. Excerpts / In: The Vienna School Reader: Politics and Art Historical Method in the 1930s. C. S. Wood, ed. New York: Zone Books, 2000. P. 424.
142
Gregory, R. Seeing Through Illusions. New York: Oxford University Press, 2009. P. 6.
143
Crick, F. The Astonishing Hypothesis: The Scientific Search for the Soul. New York: Charles Scribner’s Sons, 1994. P. 32.
144
Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. Pp. 111, 132.
145
Zeki, S. Inner Vision: An Exploration of Art and the Brain. Oxford: Oxford University Press, 2001. P. 113.
146
Gregory, R. Seeing Through Illusions. New York: Oxford University Press, 2009. P. 212.
147
Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 301.
148
Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. Pз. 2–3.
149
Tsao, D. Y., and M. S. Livingstone Mechanisms of face perception // Annual Review of Neuroscience 31 (2008): 411.
150
Exploratorium Mona: Exploratorium Exhibit. См.: http://www.exploratorium.edu/exhibits/mona/mona.html.
151
Morton, J., and M. H. Johnson Biology and Cognitive Development: The Case of Face Recognition. Oxford: Blackwell Publishing, 1991.
152
Meltzoff, A. N., and M. K. Moore Imitation of Facial and Manual Gestures by Human Neonates // Science 198, no. 4312 (1977): 75–78.
Pascalis, O., de Haan, M., and C. A. Nelson Is face processing species-specific during the first year of life? // Science 296 (5571) 2002: 1321–1323.
153
Ramachandran, V. S. The Emerging Mind. The Reith Lectures. London: BBC, Profile Books, 2003.
154
Gelder, B., de Towards the neurobiology of emotional body language // Nature Reviews Neuroscience 7 (3) 2006: 242.
155
Mamassian, P. Ambiguities and conventions in the perception of visual art // Vision Research 48 (2008): 2149.
156
Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 304.
157
Bostrom, A., Scherf, G., Lambotte, M.-C., Potzl-Malikova, M. Franz Xaver Messerschmidt 1736–1783: From Neoclassicism to Expressionism. Italy: Officina Libraria, 2010. P. 521.
158
Kris, E. Psychoanalytic Explorations in Art. New York: International Universities Press, 1995. P. 190.
159
Slaughter, V., and M. Heron Origins and Early Development of Human Body Knowledge // Monographs of the Society for Research in Child Development 69, no. 2 (2004): 103–113.
160
Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 100.
161
Ibid., p. 95.
162
Solso, R. L. Cognition and the Visual Arts. Cambridge, MA: MIT Press, 1994. P. 155.
163
Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 7.
164
Gage, J. Color in Art. London: Thames and Hudson, 2006. P. 50.
165
Ibid., p. 53.
166
Hughes, R. The Shock of the New: Art and the Century of Change. 2nd ed. London: Thames and Hudson, 1991. P. 127.
167
Пер. П. Мелковой. – Прим. пер.
168
Gage, J. Color in Art. London: Thames and Hudson, 2006. P. 50.
169
Пер. П. Мелковой. – Прим. пер.
170
Ibid., p. 51.
171
Пер. П. Мелковой. – Прим. пер.
172
Hughes, R. The Shock of the New: Art and the Century of Change. 2nd ed. London: Thames and Hudson, 1991. P. 273.
173
Ibid., p. 276.
174
Zeki, S. Splendors and Miseries of the Brain. Oxford: Wiley-Blackwell, 2009. P. 39.
175
James, W. Principles of Psychology. Vol. 2. Mineola, NY: Dover Publications, 1950. P. 474.
176
Damasio, A. Descartes’ Error: Emotion, Reason and the Human Brain. New York: G. P. Putnam Sons, 1994. P. 129.
177
James, W. Principles of Psychology. Vol. 2. Mineola, NY: Dover Publications, 1950. Pp. 1066–1067.
178
Ibid., p. 449.
179
MacMillan, M. An Odd Kind of Fame: Stories of Phineas Gage. Cambridge, MA: MIT Press, 2000. P. 114.
180
Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994. P. 27.
181
Dutton, D. D. The Art Instinct: Beauty, Pleasure, and Human Evolution. New York: Bloomsbury Press, 2009. P. 6.
182
Ibid.
183
Spurling, H. Matisse the Master: A Life of Henri Matisse: The Conquest of Colour 1909–1954. New York: Alfred A. Knopf, 2007. P. 26.
184
Gombrich, E. H., Hochberg, J., and M. Black Art, Perception, and Reality. Baltimore: Johns Hopkins University Press, 1972. P. 41.
185
Ibid.
186
Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. P. 149.
187
Frith, U. Autism: Explaining the Enigma. Oxford: Blackwell, 1989. Pp. 77–78.
188
Kanner, L. Autistic Disturbances of Affective Contact // Nervous Child 2 (1943): 217.
189
Ibid., p. 242.
190
Frith, U. Autism: Explaining the Enigma. Oxford: Blackwell, 1989. P. 80.
191
Пер. М. Лозинского. – Прим. пер.
192
Цит. по кн.: Ochsner, K. N., Bunge, S. A. Gross, J. J. and J. D. E. Gabrieli Rethinking Feelings: An fMRI Study of the Cognitive Regulation of Emotion // Journal of Cognitive Neuroscience 14, no. 8 (2002): 1215.
193
Mellars, P. Archaeology: Origins of the Female Image // Nature 459 (2009): 176.
194
Ibid.
195
Ibid., p. 177.
196
Aiken, N. E. The Biological Origins of Art. Westport, CT: Praeger, 1998. P. 169.
197
Dissanayake, E. What Is Art For? Seattle: University of Washington Press, 1988. P. 44.
198
Tooby, J., and L. Cosmides Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction, and the Arts // SubStance 94/95, no. 30 (2001): 25.
199
Ramachandran, V. The Science of Art: A Neurological Theory of Aesthetic Experience // Journal of Consciousness Study 6 (1999): 49.
200
Ibid., p. 15.
201
Gardner, H. Creating Minds: An Anatomy of Creativity as Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York: Basic Books, 1993. P. 298.
202
Holton, G. The Scientific Imagination: Case Studies. London: Cambridge University Press. Pp. 231–232.
203
Podro, M. Depiction. New Haven: Yale University Press, 1998. P. VI.
204
Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. P. 300.
205
Gardner, H. Creating Minds. P. 36.
206
Sinha, P., Balas, B., Ostrovsky, Y., and R. Russell Face Recognition by Humans: Nineteen Results All Computer Vision Researchers Should Know About // Proceedings of the IEEE 94, no. 11 (2006): 1948.
207
В. Рамачандран, из неопубликованной переписки с коллегой.
208
Gardner, H. Five Minds for the Future. Boston: Harvard Business School Press, 2006. P. 80.
209
Ibid., pp. 80–81.
210
Д. Н. Смирнов (О тайнах творческого процесса в музыке // Музыкальная академия, 2002 (2): 39–48) указывает, что цитируемое письмо, приписываемое Моцарту, – подделка. Рус. пер. приводится по тексту указанной статьи, где написано, что он восходит к книге: Адамар Ж. Исследование психологии процесса изобретения в области математики. М., 1970. – Прим. пер.
211
Andreasen, N. C. The Creating Brain: The Neuroscience of Genius. New York: Dana Press, 2005. P. 40.
212
Ramachandran, V. A Brief Tour of Human Consciousness: From Impostor Poodles to Purple Numbers. New York: Pearson Education, 2004. P. 51.
213
Пер. Ю. Айхенвальда, сверенный и уточненный Т. Молчановой и Н. Трубниковой. – Прим. пер.
214
Schopenhauer, A. Essays and Aphorisms. London: Penguin Books, 1970. Pp. 123–124.
215
Gardner, H. Art, Mind, and Brain: A Cognitive Approach to Creativity. New York: Basic Books, 1982. P. 321.
216
Пер. А. Логвинской. – Прим. пер.
217
Ramachandran, V. S. The Emerging Mind. The Reith Lectures. London: BBC, Profile Books, 2003.
218
Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995. P. 195.
219
Humphrey, N. Cave Art, Autism and the Evolution of the Human Mind // Cambridge Archeological Journal 8 (1998): 176.
220
Ibid., p. 171.
221
Здесь и далее цитаты из книги О. Сакса “Антрополог на Марсе” в пер. А. Николаева. – Прим. пер.
222
Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995. P. 203.
223
Ibid., p. 206.
224
Ibid., p. 203.
225
Ibid., p. 206.
226
Пер. А. Свирид. – Прим. пер.
227
Gardner, H. Frames of Mind: The Theory of Multiple Intelligences. New York: Basic Books, 1993. P. 63.
228
Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995. P. 229.
229
Jamison, K. R. Touched with Fire: Manic-Depressive Illness and the Artistic Temperament. New York: Free Press, 1993. P. 55.
230
Jamison, K. R. Exuberance: The Passion for Life. New York: Vintage Books; Random House, 2004. P. 126.
231
Ibid., p. 127.
232
Miller, A. I. Insights of Genius: Imagery and Creativity in Science and Art. New York: Copernicus, 1996. P. 379.
233
Snow, C. P. The Two Cultures: A Second Look. New York: Cambridge University Press, 1963. P. 100.
234
Berlin, I. Concepts and Categories: Philosophical Essays. London: Hogarth Press, 1978. P. 159.
235
Greene, B. The Elegant Universe: Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory. New York: Vintage Books, 1999. P. 3.
236
Gould, S. J. The Hedgehog, the Fox, and the Magister’s Pox. New York: Harmony Books, 2003. P. 195.
237
Johnson, G. The Ten Most Beautiful Experiments. New York: Vintage Books, 2009. P. 17.
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